The starting point: the idea
It all begins with an emotion, a mental image, or a lived experience. Sometimes it's something as mundane as the afternoon light streaming through the studio window; other times it's a deeper reflection on time, movement, or identity. I always carry my camera to capture images for my ideas before they slip away.
Canvas preparation
I work mainly with acrylic on canvas. Before applying the first brushstroke, I stretch the 100% cotton canvas over a wooden stretcher, adjusting the details for the proper execution of the work. This phase, although invisible in the final result, is fundamental for the quality of the painting.
The first layers: building from the background
I always start with diluted colors and broad strokes. This first phase is almost meditative: I'm not looking for the final result, but rather to establish a base of color and energy upon which the composition will grow. Acrylic allows me to work in layers quickly, which gives a lot of freedom to correct and evolve.
The dialogue with the artwork
There comes a moment in every painting when the work begins to "speak." It stops being just my idea and becomes something of its own. It is then that I move away from the initial plan and let myself be guided by what the painting needs: more texture here, an unexpected touch of color there, or simply letting an empty space breathe.
The final details and the signature
The last phase is the most delicate. I review the composition, adjust the contrasts, and add the details that bring the piece to life. When I feel the work is complete — and that moment always arrives intuitively — I sign it. The signature is not just a name: it is the closure of a process and the beginning of a new story for whoever receives it.
Do you want a custom-created artwork?
If you enjoyed learning about my process and would like a unique piece created especially for you, you can explore my Commissioned Works. Each piece is a dialogue between the artist and the commissioner.